{"id":17778,"date":"2024-02-23T17:30:44","date_gmt":"2024-02-23T17:30:44","guid":{"rendered":"https:\/\/mattshorroraddiction.com\/?p=17778"},"modified":"2024-02-23T17:30:44","modified_gmt":"2024-02-23T17:30:44","slug":"the-children-curtains-and-hannibal-rising","status":"publish","type":"post","link":"https:\/\/matt.doppiavvu.it\/?p=17778","title":{"rendered":"The Children, Curtains, and Hannibal Rising"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa-1024x576.jpeg\" alt=\"\" class=\"wp-image-17864\" style=\"width:290px;height:auto\" srcset=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa-1024x576.jpeg 1024w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa-300x169.jpeg 300w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa-768x432.jpeg 768w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa-1536x864.jpeg 1536w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/p36595_v_h10_aa.jpeg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>The Children<\/em><\/strong> &#8211; <em>1980, US, 93m. Director: Max Kalmanowicz. Streaming: Peacock, Prime, Tubi<\/em><\/p>\n\n\n\n<p><strong><em>Curtains<\/em><\/strong> &#8211; <em>1983, Canada, 89m. Director: Jonathan Stryker (Richard Ciupka). Streaming: Peacock, Roku<\/em><\/p>\n\n\n\n<p><strong><em>Hannibal Rising<\/em><\/strong> &#8211; <em>2007, Czech Republic\/Italy\/UK\/US, 121m. Director: Peter Webber. Streaming: Tubi<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"598\" height=\"342\" src=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/qnh9z7z33au71-copy.jpg\" alt=\"\" class=\"wp-image-17852\" style=\"width:242px;height:auto\" srcset=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/qnh9z7z33au71-copy.jpg 598w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/qnh9z7z33au71-copy-300x172.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/figure>\n\n\n\n<p><strong><em>THE CHILDREN <\/em><\/strong><em>(1980)<\/em> A cloud of toxic pollution emanating from a nuclear power plant transforms a busload of kids into zombified killers. One of the the parents is hugged by her nuclear-powered son and microwaved into a pile of charred, bloody pulp. The local sheriff (Gil Rogers) deputizes a couple of nogoodniks to be stationed at a roadblock, which proves fruitless as the children continue to cook their way through the small town&#8217;s populace. Much like the zombies in a George Romero film\u2014which <em>The Children<\/em> resembles quite often\u2014the youngsters cannot be stopped by simple gunfire, but one of the survivors realizes cutting off their hands seems to put them down for good. Its nonsensical plot does little to dissuade one from viewing <em>The Children<\/em> as nothing more than silly entertainment, made by a handful of crew members who would later work on <em>Friday the 13th<\/em>, including cinematographer Barry Abrams and composer Harry Manfredini. <strong>B<\/strong>&#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"603\" src=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/Curtains-crone-1024x603.jpeg\" alt=\"\" class=\"wp-image-17832\" style=\"width:236px;height:auto\" srcset=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/Curtains-crone-1024x603.jpeg 1024w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/Curtains-crone-300x177.jpeg 300w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/Curtains-crone-768x452.jpeg 768w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/Curtains-crone.jpeg 1508w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>CURTAINS<\/em><\/strong> <em>(1983)<\/em> In order to prepare for an upcoming role, renowned actress Samantha Sherwood (Samantha Eggar) voluntarily checks herself into a mental hospital. Weeks of enduring the asylum don&#8217;t pay off when Samantha is stabbed in the back by her filmmaker lover, Jonathan Stryker (John Vernon), who leaves her in the nuthouse and holds a casting session at his country estate for more youthful actresses. Stryker&#8217;s plans are foiled when Samantha escapes from the hospital and does a bit of impromptu backstabbing herself\u2014literally. Or so the viewer is led to believe when someone in a hag mask begins cutting down the competition with a razor-sharp scythe. Eggars is good but her character is too obtuse to care about. Most of the auditioning actresses are nondescript; that includes the real actors portraying them. The sole exception is Lynne Griffin (<em>Black Christmas<\/em>), whose bubbly comedian, Patti O&#8217;Connor, failing to be taken seriously as a dramatic actress by her peers is the only character trait that rings true in the film. Robert Guza, Jr. was a prevalent soap opera writer and his experience in that medium shows within <em>Curtain<\/em>&#8216;s flashy theatrics, which for most of its running time are ridiculously contrived\u2014but undeniably enjoyable. <strong>B<\/strong>&#8211;  <\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/film_hannibalrising-1024x576.webp\" alt=\"\" class=\"wp-image-17792\" style=\"width:236px;height:auto\" srcset=\"https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/film_hannibalrising-1024x576.webp 1024w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/film_hannibalrising-300x169.webp 300w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/film_hannibalrising-768x432.webp 768w, https:\/\/matt.doppiavvu.it\/wp-content\/uploads\/2024\/01\/film_hannibalrising.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>HANNIBAL RISING <\/em><\/strong><em>(2007) <\/em>The laborious and often needless origin story assigned to so many popular fictional figures is here given to everybody&#8217;s favorite cinematic serial killer\u2014Hannibal &#8220;the Cannibal&#8221; Lecter. In war-torn Lithuania, 1944, young Hannibal witnesses the massacre of his parents at the hands of Nazis. Hannibal and his younger sister, Mischa, are held captive by local SS soldiers, including the wild-eyed psychopath, Grutas (Rhys Ifans, <em>not<\/em> dialing it down), who after ripping into the carcass of a pheasant with his teeth uses Mischa as a food source for his hungry comrades. The traumatic event turns Hannibal (the late Gaspard Ulliel) into a mild-mannered young man who harbors violent aggression towards his fellow rude humans. Hannibal applies his newfound psychosis to his martial arts training, orchestrated by his wealthy aunt (Gong Li)\u2014and conveniently, Auntie&#8217;s in-house chef teaches Lecter about the importance of fine dining etiquette. After years of medical training in Paris, Hannibal plots his revenge against the men who slaughtered his sister, including Grutas, who in the decade following the war has become a sex trafficker\u2014one of many hilariously overwrought moments found throughout this despairingly awful film. The most shocking aspect\u2014and ultimately most disappointing\u2014of <em>Hannibal Rising<\/em> is the fact that Hannibal creator, Thomas Harris, wrote the screenplay. <strong>D <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Children &#8211; 1980, US, 93m. Director: Max Kalmanowicz. Streaming: Peacock, Prime, Tubi Curtains &#8211; 1983, Canada, 89m. Director: Jonathan Stryker (Richard Ciupka). Streaming: Peacock, Roku Hannibal Rising &#8211; 2007, Czech Republic\/Italy\/UK\/US, 121m. Director: Peter Webber. Streaming: Tubi THE CHILDREN (1980) A cloud of toxic pollution emanating from a nuclear power plant transforms a busload [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-17778","post","type-post","status-publish","format-standard","hentry","category-capsule-reviews"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=\/wp\/v2\/posts\/17778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17778"}],"version-history":[{"count":0,"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=\/wp\/v2\/posts\/17778\/revisions"}],"wp:attachment":[{"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matt.doppiavvu.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}